Writing Randomness // Seminar

Seminar: “Why Write Music?” – Session 7: Writing Randomness Between November 2024 and May 2025, several seminars around the question What is the purpose of writing music? will be hosted at IRCAM and the STMS laboratory in Paris. These events will give the...
au plus près du silence // Premiere

au plus près du silence // Premiere

Program Claude Debussy : Quatuor à cordes opus 10 Charles David Wajnberg : Au plus près du silence, pour guitare, cordes et électronique Mario Castelnuovo Tedesco : Quintette pour guitare et cordes op. 143 Stanislas Quartet Laurent Causse, violin Bertrand Menut,...
au plus près du silence

au plus près du silence

Duration: 20 minutes Despite their proximity in classical organology, the guitar and string quartet produce few obvious fusions. It is from this distance, and the need to bridge it not with more sound, but with more silence, that the compositional challenges arose....
formes proximales

formes proximales

Charles David Wajnberg : formes proximales (2024) for real-time electronics Nothing in Formes proximales is predefined, at least not in its material. The sonic qualities, whether evoking instrumental synthesis or concrete music, are derived from the properties of...
openings // Salle Cortot

openings // Salle Cortot

Dancer Bryan Montarou confronts and intertwines his movements with the musicians of the Quatuor Anches Hantées. Openings, by Charles David Wajnberg, creates breaches in concert time, setting the sonic interferences of four clarinets against the melodic writing of the...